Gensu Dean been ’bout the beat work. So who wouldn’t want to see him wash the Rhythm Roulette challenge like a champ? Shid, if you don’t you are reading the wrong blog, ’cause it’s…about…to go…down! At D.I.T.C. Studios no less.
Did Dean do a double cook-up for this session? Dope! Get you some of these good veggies (BEATZ)!
Salaam Remi, Amy Winehouse’s Main Producer, Speaks On Her Artistic Influence, Dying At 27 And More (Video)
Ohhhh! Amy Winehouse’s main producer was Salaam Remi? That’s one of Nas’ go-to producers. Wonder if that is what put them in contact (e.g. both working with and trusting Remi), allowing them to grow their friendship. Or was it that those two were friends… and one introduced the other to Salaam Remi.
Salaam Remi is one of the producers who worked heavily with the late Amy Winehouse. The producer discusses meeting Amy, and how they would come together to produce jazz music. He goes on to speak about her issues with love, her sense of humor and how that affected her music. Despite producing a majority of Amy’s work, Salaam reveals he did not get a Grammy alongside the songstress. Salaam talks, Amy’s legacy after the troubled singer died at just 27 years old.
Shout to the homie Eff Triple Dot! Aftermath Records’ producer Focus… The music making pedigree is there: his pops was the bassist for Chic (they did that song “Good Times” …these are the good gimes …keep it going)! Focus… speaks on his dad’s desire for a strong legacy, his work producing and ‘ghost producing’ and more.
Solid bet that this Rhythm Roulette ep is gonna be dope. By now, if you’ve kept up with the series, you know that only the best producers make the cut to get on the show to make bangers from a blind record pull. Salaam Remi is at the tippy top of most ‘best of’ lists.
After hitting up A-1 Records, Salaam ends up with George Faith’s “Soulful,” Danny La Rue in London, and The Who’s “Meaty Beaty Big and Bouncy.” Putting his faith in George Faith, he finds the backbone of his beat and then pulls some samples from the others. Joell Ortiz also makes a short cameo to comment on the work-in-progress beat. Watch the full creation process above.
And Joey O in there with the co-sign. Ha!
Jakey Uno with the homemade blind-picked beat batch of the day we have come to know and love as Rhythm Roulette. Going in with some Gospel this go-round, too. Alright now. Prepare for this praiseworthy episode.
Very few artists can traverse the constantly shifting borders between the underground and the mainstream like Jake One. The Seattle producer is respected, and rightfully so, in both worlds for his work with 50 Cent and G-Unit, De La Soul, E-40, DOOM, and more. He’s also worked on complete projects with Freeway and Brother Ali. Then with Mayer Hawthorne, he put out a feel-good album under the Tuxedo moniker. Basically, his production credits weigh a ton.
From Spin Cycle to his studio in Washington, Jake lucks out with The Best of Herbie Hancock, The Manhattans’ Forever By Your Side, and a Reverend E. Stanley Branch record. Jake One’s sampling methods kick in immediately as he skips around the records, finding a “Yeah!” from Rev. Branch and some drums from The Manhattans. He hears something worth taking from the choir on Rev. Branch’s record then drums from Herbie. The Manhattans also helped provide a snare. As the beat comes together all on his keyboard, he goes back to the choir to find some shouting to fill out the beat. Jake tinkers around with a bass line and before you know it, he’s sequenced a beat fit for the church and the club.
Another dope session. Amen!
“If the song don’t got a groove, you don’t got a song.”
Wow. Rockwilder speaking on wisdom from Jimmy Jam and Terry Lewis back when he was there when they were making the world fall in love with Janet Jackson. Beatminerz, Pete Rock, and several other big-name mentors’ names and lessons getting dropped off in this clip. Great episode!
In association with DITV, DITC Studios presents ‘Beats Per Minute’ featuring Rockwilder.
Protect your neck though, as there will be lots of head nodding to banging beat flips in the beginning!
Point blank: You really need to know that the dude Focus… is the truth on beats! Aftermath-stamped producer official, with work put in on the Hip-Hop unicorn project (Dr. Dre’s “Detox”) and “Compton”; yeah, he has the pedigree. Learn about his career background, musical instrument acumen, when he started making big money and more. We KNOW him. You will get to know him with a quick clip play above.
Producer/singer/songwriter Hezekiah discusses his creative process above. Watch, and look at an example of him making some beat heat from scratch.
Sample chopping + Live instrumentation = Magic. Welcome to Little Africa Studio.
Check out more of the good stuff at https://3crates.bandcamp.com.
DJ Premier, Kareem Biggs And Beef Jones Talk Roc-A-Fella History, Jay Z And “Reasonable Doubt” (Video)
Beef Jones hosts a sitdown with DJ Premier & Roc-A-Fella’s Kareem “Biggs” Burke. They discuss Jay Z’s classic “Reasonable Doubt” album. The video starts with a lot of prelim (some setup is going on); as this is a live online discussion forum while. The meat of the discussion is set out around the 11-minute mark. Check it out.
Interesting insights on Preem’s production process and some early history at The Roc (like who was the label’s first signee).
Da Beatminerz (Mr. Walt and Evil Dee) looked like they had fun the whole way through. Even when they felt they were Shanghai’d by their own record picks. Haha! But watch how the dynamic beatmaking duo saves the day in this ep of Rhythm Roulette.
Straightforward commentary and revelations about the conception and execution of the Havoc–Alchemist collabo effort “Silent Partner.” Usually the least vocal in most Hip-Hop partnership situations, here in this vid Hav has his say.
Some things just sound cluttered as soon as you say them – like the making of J Dilla’s classic work “The Diary” – right? “The Diary” is by J Dilla. Heads KNOW it’s a classic. Heads KNOW that J Dilla did work. Heads check for J Dilla work off mention. So check out the clip above with the appropriately terse title.
An audiovisual showcase of source samples used in Notorious B.I.G.’s works. Teach DJ. TEACH! Turntable lecture in session, folks. Pay attention!
What’s that DJ scene like in ATL? What’s the story there??
Creative Protest Films looks to be up to something good. “Started From Scratch” is underway, but they are not finished yet. Take a look at the latest teaser by clicking the pic above. You can follow the link below if you want to get involved. Got a feeling this project will be well worth the wait… and the work.
More after the jump.
Kanye West went School Of Life professor on Ellen’s audience. Teach! As much as clips show up across the ‘webs of Yeezy going loose cannon, from Kanye’s canon (delivered in clips like this) folks could really learn to live life with passion. Passion that he speaks AND demonstrates…
I care about people. I care about… My Dad lived in homeless shelters less than five years ago… to find out he’s a psych major. My Mom was the first Black female chair of the English Department of Chicago State University. I was raised to do something; to make a difference!
– Kanye West
Check out a clip of Kanye’s sit-down with Ellen. More after the jump.
You can’t go wrong going from Dilla’s stash.
So no need to tell you that BINK! successfully met his Rhythm Roulette challenge. J Dilla sampled from Jan Hammer Group, Sly & The Family Stone, and The Headhunters. Now see how well BINK! made it do what it do with the Dilla preferences he blindly picked.